Some junkfilms
deserve special attention for remarkable
performances or dialogue obviously conceived
by a maniac. Others do so for gross storyline
inanity, bizarre directorial decisions or
not even remotely approaching what the title
and ads promise. (Total number of vampires
in Atom-Age Vampire: zero.)
But besides the
qualities listed above, there are those
magical features that merit praise for holding
Best/Most/Biggest honors, going to the extreme
primarily to proudly showcase the lunacy
of those at the helm. Gotta love anyone
who will so cheerfully shout, "Screw
convention!"
And that brings
us to this issue's selection, The Last
Days Of Planet Earth (1981), holder
of the coveted intergalactic record for
Most Human Casualties By An Assortment Of
Methods. Ah, the wholesale slaughter of
useless beings by every means under (and
including) the sun: Is there any more rewarding
viewing experience...besides my reflection?
Sure, we've all
seen flicks where a couple of three towns
get totaled by natural disasters, alien
attacks, man-made viruses, supernatural
armies and 50-foot amphibians. Then there
are the Fail-Safe variants whereby
military chowderheads trade weapons barrages.
These are virtually all a variation on one
of two themes: Hour-plus build-up until
the big whattzit hits in an F/X extravaganza,
or intermittent attacks by an impervious
man-mulcher until "the authorities"
devise a cockamamie cure.
Note that, in
every case, the spoilsport defenders of
humankind marshaled their forces against
what was essentially a single enemy. One
good brainstorm and the killer robot, Martian
mothership or bee swarm was licked. Not
so in Last Days. Not so a tool.
Framed by sequences
babbling on about Nostradamus no
doubt tacked on to lure in round-eyes fascinated
by the original Psychic Friend The
Last Days Of Planet Earth tosses so
much fatal mayhem on the screen, it's actually
surprising someone doesn't get killed
by a kitchen sink. And this is a worldwide
ass-whuppin', too, not merely domestic dismay.
As is traditional
in Toho Studio productions, the standard
A-type Japanese scientist is feverishly
preaching ecological fire and brimstone
as bureaucrats ignore his hyperactive pleas
to heed the cryptic clap-trap of an often-wrong
honky who's been dead for centuries.
Hate to break
it to you, Doc, but fat-cat island natives
unconcerned they're stuffing themselves
with endangered sea species are hardly the
most receptive audience to an "It is
written we'll all spontaneously combust
if even one of us flicks a French fry out
a car window" sermon--especially when
your "scientific proof" is "This
crazy cracker wrote an entire book of vague
predictions and, eventually, something resembling
a handful of them came to pass."
Professor Panic's
speech provides a framework for what's yet
to come in Last Days, an exhilarating montage
of the glorious systematic extermination
of all Earth-bound life forms. Director
Toshio Mashuda periodically brings us back
to the scaredy-cat scientist something
akin to a cinematic cigarette break
and then we're once again whisked off to
a ride with the Grim Reaper.
Mother Earth
is initially violated by gigantic slugs;
monstrous plants; frozen oceans; a chronic
drought causing mass starvation; carnivorous
trees; daylight attacks by huge vampire
bats as well as by enlarged leeches whose
bites induce insanity; and, deformed jungle
tribes. But this is just the warm-up act.
After kids temporarily
turn bionic then croak and the sun begins
frying folks alive, we're treated to the
heartwarming sight of forest fires, tidal
waves setting off urban refinery explosions,
the ozone shield collapsing, flooding, landslides
and fatal respiratory diseases. Yahoo, tens
of millions are being erased internationally!
But, wait, there's more.
We've got anarchy,
road rage, immorality among youths, young
Ziggy Stardust-resembling sailboaters in
a "regatta of death" suicide cruise,
meticulously clean bikers intentionally
riding their rice-burners off cliffs (with
one stunt man missing the lake and actually
nailing the rocks!) and rioting in the streets
for food.
It just doesn't
get any better than this. Hang on a minute;
yes, it does. Just when you thought
it was safe to loot the 7-11, the sky turns
into a "reflex mirror," touching
off volcanoes, earthquakes, stuff blowing
up for no apparent reason and global nuke
war, its missile strikes leveling virtually
everything, but leaving a few post-apocalyptic
mutants alive to attack each other. Now
that's what I call (nuclear) family entertainment!!!
Turns out the
wipeout is just a projection of what might
happen if the Prof's anti-pollution whining
goes ignored. Damn, it wasn't a documentary
after all. Nonetheless, there's always hope.
Now if you'll excuse me, I've got to go
torch a stack of old Firestones.
Got a junkfilm or topic
you'd like to recommend for review? Interested
in running Manor on Movies in your
print publication? Drop Stately an e-mail
or send us more info via the palatial ER
Editorial Penthouse @ PO Box 5531, Lutherville,
MD 21094-5531.